About charts and graphs, for Impress Magazine, July 2000 download this article (requires Adobe's Acrobat) Making good charts and graphs is not rocket science. Actually it's quite easy, if you remember some basic stuff:
What not to do There has always been a tendency to overdo charts, showing off, dazzling the reader or viewer with the latest devices and effects available. Computer software offers an array of three dimensional effects, backgrounds, typestyles and icons that often clutter the result and make charts hard to decipher. So ...
So, Instead of using 3-d effects ... Consider the information first, and the "look" of it later. When starting a chart, ask questions such as: What is the most important point to be made? Do I need to show all the intermediate plot points between the first number and the last? (For instance, it may be more direct to pare the data down to two points: the price was THAT, and now it is THIS.) Once you have decided the real intention of the chart, the visual answer will often take care of itself, without all the bells and whistles that you could add on. In other words, the line between the price THEN and the price NOW is the interesting thing. Does it rise sharply between the two points? Is is flat? Does it drop sharply? These are the trends that make people want to look at the chart, rather than the fact that it has three-dimensional "depth", or casts a shadow on the page. Instead of using a busy background ... Use white, or a pale color. But you might also consider setting the whole thing against a black background. The impact of your chart is important, it's just a matter of how you achieve it without getting in the way of comprehension. Most photographic backgrounds do interfere with visibility. And bright colored backgrounds, used purely to brighten up a dull chart, often conflict with the information on the chart. Instead of using a rainbow of color ... Start with black and white. Add color only when you need it, to make something clear. (For instance, when you need to differentiate between two lines in a fever chart.) Save a copy of what you've done, then use the computer to remove unnecessary colors and elements instead of adding irrelevant effects. You can always go back to your copy if you go too far. By using less color, you will focus on the data. Think of color as information itself, never as decoration to be applied to the chart when you have finished. Instead of using many different typefaces ... Use one font, in a variety of weights and sizes. Never use an ornate, flowery type. The best fonts for charts are simple sans serifs. Dates along the bottom of a chart (that's where they usually go; the quantities go up the side, as a general rule) can be small. But don't forget the size that your chart is going to be when it is seen. Might it be enlarged to go into a store window? Or made into a banner for a fundraising appeal? Perhaps it's going to appear smaller than the size you are working, for instance in a printed report, where size is at a premium? The final result is what matters, not what you see on the screen. Reviewing these basic dos and don'ts, it might be hard to imagine that there is any fun to be had making charts. But there is. Because when you know the rules, you know when you can break them, too. In the 1920s there was a trend to use little piles of symbolic drawings in place of plain bars in charts. Tiny oil barrels, cars, people, dollar signs and telephones brought otherwise boring-looking data to life. It was very simple, and fun, too. It's worth repeating. |
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